It's frustrating sometimes for actors because you slam it out and you have a great time, you think it's funny, and then for whatever reason the movie doesn't come together.

I've got whole years of unfortunate clothing in '80s.

I just want to do as many different genres as I can. I think that's part of it... to not get pigeon-holed because if one of them breaks out and becomes a big hit then typically people want to keep putting you in that kind of role.

I like the not knowing of what the next job is.

You have your vision and you need to be focused, but you have to listen. I never felt a sense that the wheels were going to come off because we're all friends and family. It was all good.

I don't concentrate on if a moment is scary or not. That's not my job.

I've always had good relationships with directors. I'm one of those people where, if there's a good idea coming from the sound guy, I'll take it. Filmmaking is a collaborative effort, whether it's a first-time director or it's Mike Nichols. I think that's the standard that the great ones set.