I remember seeing Extreme play with [Debra] Winger and Cinderella. Gary Cherone was wearing purple velvet overalls with no shirt and saddle oxfords.Afterward, I went home and told my mom, "I need to find saddle oxfords." And she said, "Like little girls wear?" Naturally, I couldn't find them in my size, so I went to a shoemaker and had him make me a pair. I wore them for a while, but they didn't seem as cool on me, because when your foot is size 12, they sort of look like clown shoes.

I don't concentrate on if a moment is scary or not. That's not my job.

I think the balance is between what you can get, what you want and what wants you.

For me, I always have to establish a reality for the character. In very actor-y terms, you just have to understand his reality.

I've always had good relationships with directors. I'm one of those people where, if there's a good idea coming from the sound guy, I'll take it. Filmmaking is a collaborative effort, whether it's a first-time director or it's Mike Nichols. I think that's the standard that the great ones set.

You know, I gotta be honest. I have not done a lot of CGI work. I just haven't. I mean, there were hundreds of effects in Watchmen, and I probably dealt with almost none of them, because all my stuff was very practical.

In a normal movie, you'd never see one guy talk for an entire page, whether good or bad.