How many records you sell really does not matter. It's whatever you give.

I think a lot people get caught up with the synthetic quality of electronic music, but me, I've always been more interested in all those more natural sounds, in organic electricity. That's something that I want to continue to work with.

When you're 18 and you've made the album of your dreams, you're not really thinking about the machinery that will actually take it to the public. You just think: "I've done the best thing that I could ever do and this is the most magic moment for me."

Europe isn't something connected by the Euro. Every little dimension of Europe is so hugely different, and I think America is different in its states as well, so I never really think of things in big blocks, in terms of other artists.

Transport drives me crazy. I find myself on this constant conveyor belt and the planes, buses, traffic jams, ugh.

An electronic instrument is just harboring a natural element the same way that a guitar is harboring an acoustic element. It's all nature, really.

I finally realized that so much of the music world is about how much money you've got, how much you can pay to make your record successful.