At any given time, there might be someone who's eight years old or 80 years old in the audience. Some nights there are a lot of girls in the audience, some nights not. It's so unpredictable, but I like that.

This time, we're living in such a crazy moment in history. People still write and talk about Watergate, which was such a huge, looming backdrop when I was coming of age and when I was a kid growing up. I think we're living in one of those times right now where, in 20 years, people will be writing and talking about it.

I never want to be that guy spouting off my political views. I mean, they're pretty well known, and it certainly comes out.

I've always thought that a lot of really good writers go wrong by getting so into the craft and the technique and perfection. Perfection can be the enemy sometimes. Some songs don't need to be told perfectly. Life is messy and has loose ends, and sometimes I think the songs should reflect that.

I'm more interested in writing about the personal stories of people. Sometimes I don't agree with them.

Paste may be the last great American music magazine left.

The biggest thing this has in common with almost all of our records is the dualities are still there. We kind of stripped down the other things we were writing about, and that's what was left. A lot of good things have happened to us in the last couple of years both as a band and in our personal lives. But something as wonderful as having children also brings along these new fears and terrors and responsibilities.