I'll tell you what I think in general about people who want to make their Broadway debut that are not trained stage actors. Don't they know, Broadway ain't for sissies? It is a tough gig. You are responsible, physically, mentally, emotionally, for eight shows a week, at the top of your game. It's not easy.

The only thing we are as actors are messengers. That's all we are. Correct? We are delivering the playwright's intention through the concept of the director. And I come on stage; if I feel confident in the role, then I give it away.

I don't listen to the contemporary pop artists. They all sound alike, anyway.

I knew when I was a kid that I had a Broadway voice. I wanted to be a rocker, because I grew up in that era of transistor radios at the beach.

The book 'A Reliable Wife' is a slice of American history. It takes a part of American history and tells a story about the purchase of a wife by a Wisconsin businessman. The research of that would have been really interesting.

I think Madonna is a wonderful performer.

What's the difference in opening from scratch in Philly or opening from scratch in New York? The old out-of-town tryout circuit - taking the show pre-Broadway to cities like Boston, New Haven, Philadelphia, Washington - has sort of been replaced with the amount of workshops we do.