I personally am not interested in people trying to pigeonhole me.

You're not a rock 'n' roll person four hours a day or even when you're on stage. It's become the rhythm of your whole life.

I can't bear working with a click track, we're not click track people. But for "Mercy Is ..." we all got in one mind because the song is delicate; it's not a song that showcases a vocal or some virtuoso.

I wanted to see who this Yeats person was, and I said to my mother, 'I want a book by this person.' And she bought it for me, and a lot of it was over my head, but I had it.

Trust is everything between two artists, or between subject and artist. You have to have trust or nothing good will come out of it.

The best thing is to motivate people to do their own work. I'm not opposed to making money. But I started to play rock 'n' roll to motivate others, to shake things up, wake people up and to let other skinny, pimply marginalized weirdos know they're not alone.

From very early on in my childhood - four, five years old - I felt alien to the human race. I felt very comfortable with thinking I was from another planet, because I felt disconnected - I was very tall and skinny, and I didn't look like anybody else, I didn't even look like any member of my family.