Light inspires me. I'm drawn to architecture, often graves, statues, trees - things usually that are quite still. I've been taking pictures continuously since 1995 until the end of Polaroid film. I'm taking very few pictures nowadays because I have very little film left, most of it expired.

It's no secret - I love detective fiction. One of the reasons I love being in London is because I like to watch all the shows on TV. I watch them all.

I had met Michael Stipe, and he was such a kind person, and extremely understanding, so I asked him if he knew a photographer who would come to Detroit, where I lived, who would be child friendly and who would respect my home. Michael suggested Steven [ Sebring]. One day a knock came at my door, and when I opened it, there was Steven. He's been like a brother ever since.

Not everything we do as artists has deep intent. If we push barriers, that's great, but sometimes we just do our work. Whether we make some kind of statement, consciously or unconsciously, we shouldn't take the innocence away from what we do.

I'm more concerned with the work people do than their gender. When I was younger, I was pretty judgmental. Things had to be a certain way. Now I just want to see the work. It doesn't matter who does it.

I was raised in rural south Jersey, and there was no culture there. There was a small library, and that was it. There was nothing else.

Rock n' roll is dream soup, what's your brand?