I was so horny in school it felt like my body was filled with electricity. I felt like I had neon bones or something.

As an artist, I never wanted to be fettered by gender nor recognized or defined as a female poet, musician or singer. They don't do that with men - nobody says Picasso, the male artist. Curators call me up and say, "We want your work to be in a show about women artists," and I'm like, why? For Christ's sake, do we have to attach a gender onto everything?

I love to photograph the tools of one's trade: Duncan Grant's paintbrushes, the typewriter of Herman Hesse, or even my own guitar, a 1957 Fender Duo-Sonic.

Not everything we do as artists has deep intent. If we push barriers, that's great, but sometimes we just do our work. Whether we make some kind of statement, consciously or unconsciously, we shouldn't take the innocence away from what we do.

The moment of creative impulse is what an artist gives you. You look at a Pollock, and it can't give you the tools to do a painting like that yourself, but in doing the work, Pollock shares with you the moment of creative impulse that drove him to do that work.

Toyland, toyland . . . once you pass its portals you may never return again.

I don't know why, the very first word on my very first record is 'Jesus.' I still invoke him as an entity to reckon with.