When we got to the part where we had to improvise an argument in a poetic language, I got cold feet. "I can't do this," I said. "I don't know what to say." "Say anything," he said. "You can't make a mistake when you improvise." "What if I mess it up? What if I screw up the rhythm?" "You can't," he said. "It's like drumming. If you miss a beat, you create another." In this simple exchange, Sam taught me the secret of improvisation, one that I have accessed my whole life.

As much as I can, as much as I can afford, I keep ticket prices down. Rock 'n' roll was developed as the people's voice, the people's art, it was grassroots. I don't believe that the people should be estranged from their rock stars. They're not kings and queens - all rock stars are those who are able to give back a bit of culture to other people. It's people's heritage.

I wanted to go to Portland because it's a really good book town.

If someone didn't want to be filmed, or my children said, "Don't film me anymore," [Steven Sebring] didn't try to sneak a shot or cajole them; he just respected their wishes.

I didn't waste my time on things I didn't love.

The issue of gender was never my biggest concern; my biggest concern was doing good work. When the feminist movement really got going, I wasn't an active part of it because I was more concerned with my own mental pursuits.

I always wear the same thing onstage.