Freedom is...the right to write the wrong words.

It's Steven's [Sebring] view of what he saw in traveling and working with me. But on another scale, I think the film [Dream of Life] is very humanistic: It touches on motherhood, death, birth, art, laundry, anger against the Bush administration... While I don't think it's the kind of film where one goes to find some of the darker, edgier aspects of life, the film was born of grief.

We're a culture more than ever that wants proof of everything, we want things fast, and someone sends you an email, you want to answer in five minutes. We have to allow ourselves nothingness, in our relationships too.

When we got to the part where we had to improvise an argument in a poetic language, I got cold feet. "I can't do this," I said. "I don't know what to say." "Say anything," he said. "You can't make a mistake when you improvise." "What if I mess it up? What if I screw up the rhythm?" "You can't," he said. "It's like drumming. If you miss a beat, you create another." In this simple exchange, Sam taught me the secret of improvisation, one that I have accessed my whole life.

We were as Hansel and Gretel and we ventured out into the black forest of the world.

I'm here right now and I want now to be the greatest time.

Writing is not some quiet, closet act.