My introduction to photography and a lot of how I developed aesthetically was through '50s and early-'60s fashion magazines like Harper's Bazaar and Vogue.
Patti SmithEyeing the traffic circulating the lobby hung with bad art. Big invasive stuff unloaded on Stanley Bard in exchange for rent. The hotel is an energetic, desperate haven for scores of gifted hustling children from every rung of the ladder. Guitar bums and stoned-out beauties in Victorian dresses. Junkie poets, playwrights, broke-down filmmakers, and French actors. Everybody passing through here is somebody, if not in the outside world.
Patti SmithUltimately, we are not seeking others to bow to, but to reinforce our individual natures, to help us suffer our own choices, to guide us on our own particular journeys.
Patti SmithIn the '50s you had to wear pink ribbons if you were a girl, and you were supposed to become a hairdresser or a secretary. I couldn't stomach it. Later on, when I fell in love with my husband and had children, that's when my mother's earthiness or sense of femaleness kicked in.
Patti SmithI know from an early age that I'm very comfortable in front of people. When I was a young girl, I'd love giving book reports.
Patti SmithWhen we got to the part where we had to improvise an argument in a poetic language, I got cold feet. "I can't do this," I said. "I don't know what to say." "Say anything," he said. "You can't make a mistake when you improvise." "What if I mess it up? What if I screw up the rhythm?" "You can't," he said. "It's like drumming. If you miss a beat, you create another." In this simple exchange, Sam taught me the secret of improvisation, one that I have accessed my whole life.
Patti Smith