I'm more concerned with the work people do than their gender. When I was younger, I was pretty judgmental. Things had to be a certain way. Now I just want to see the work. It doesn't matter who does it.

Most women writers don't interest me because they're hung up with being a woman, they're hung up with being Jewish, they're hung up with being somebody or other. Rather than just going, just spurting, just creating.

Rock n' roll is dream soup, what's your brand?

As far as I'm concerned, being any gender is a drag.

You can't make a mistake when you improvise.

I can't bear working with a click track, we're not click track people. But for "Mercy Is ..." we all got in one mind because the song is delicate; it's not a song that showcases a vocal or some virtuoso.

I was at one of the lowest points of my life when we started this film [Dream of Life], except, of course, that I had two great children. But the film is not documenting a decline; it's documenting a rise up - first baby steps and then big steps up. The worst that could have ever happened to me had already happened. And so the film is on the ascent. And I think that gives it a nice spirit.