I'm not afraid of terrorism at all. I'm afraid of loss of our freedom, loss of mobility, loss of global comradeship.

I wasn't attractive, I wasn't very verbal, I wasn't very smart in school. I wasn't anything that showed the world I was something special, but I had this tremendous hope all the time. I had this tremendous spirit that kept me going... I was a happy child, because I had this feeling that I was going to go beyond my body physical... I just knew it.

I didn't know Kurt Cobain or Amy Winehouse, but I was affected by both of their deaths because I admired their work so much and mourned their youth and work they would never produce.

Sometimes you're doing really well, then, after three or four years, everything inexplicably crashes like a house of cards and you have to rebuild it. It's not like you get to a point where you're all right for the rest of your life.

Jesus died for somebody's sins but not mine.

When we got to the part where we had to improvise an argument in a poetic language, I got cold feet. "I can't do this," I said. "I don't know what to say." "Say anything," he said. "You can't make a mistake when you improvise." "What if I mess it up? What if I screw up the rhythm?" "You can't," he said. "It's like drumming. If you miss a beat, you create another." In this simple exchange, Sam taught me the secret of improvisation, one that I have accessed my whole life.

New generations are intoxicated with the idea that they can make their presence known on the Internet. When I was young, there wasn't anything comparable. Very few got their picture in a magazine, fewer made records. We have to stand back and let them get their footing. Hopefully they'll come to the realization that the most important thing is their work and how they conduct themselves.