Fate is like a secret friend that helps push you on into life.

Arthur Conan Doyle had to be Sherlock Holmes in order to envision how Sherlock Holmes would unravel a mystery. He had to be in Sherlock's situations. As a writer, you have to be of two minds.

What helps me is watching other people negotiate loss. I think about how we dropped a bomb on people in Hiroshima and 150,000 people were killed in one night. Those people had to mourn and they had to rebuild their city right away.

Talking to god and coming back because that's what we have to do. That's your responsibility as a director, as an artist, as a performer. Your responsibility is back again to your people.

I was at one of the lowest points of my life when we started this film [Dream of Life], except, of course, that I had two great children. But the film is not documenting a decline; it's documenting a rise up - first baby steps and then big steps up. The worst that could have ever happened to me had already happened. And so the film is on the ascent. And I think that gives it a nice spirit.

If I have any regrets, I could say that I'm sorry I wasn't a better writer or a better singer...When I was younger, I felt it was my duty to wake people up. I thought poetry was asleep. I thought rock 'n' roll was asleep...An artist may have burdens the ordinary citizen doesn't know, but the ordinary citizen has burdens that many artists never even touch.

New York is the thing that seduced me.