I think I work in two worlds. I'll always try to kick through a wall. I did that when I was younger and I still have my way of doing that.

I don't feel that censorship keeps me from doing the work, though. I'm my bigger censor.

The only parts I like out of any of those women books is the dirty parts. But I don't think their dirty parts are any good, really.

I was so involved in my boy-rhythms that I never came to grips with the fact that I was a girl. I was twelve years old when my mother took me inside and said, "You can't be outside wrestling without a T-shirt on." It was a trauma.

I think it's important for people to realize that we were all young, all naive, and also we had lived in a time that had magic.

I started thinking what could happen with my art and I realized that the biggest thing that could is that it winds up in a museum. It's like finding a rare animal and putting it in the zoo.

As far as I'm concerned, being any gender is a drag.