People sometimes think that defining a term is pedantic and useless, but terms need to be defined if they're going to be discussed, even if the terms are only defined for a single conversation. Those involved in the conversation need to know how the terms are being used.

I don't write or think too much about the word "salvation." I might; I probably should. We are such needy creatures, needing to be saved, to feel we are saved or might be, however we define ourselves, however we define that word.

In I Praise My Destroyer, Diane Ackerman demonstrates once again her love for the specific language that rises from the juncture of self and the natural world, and her skillful use of that language. Whether she turns her attention to the act of eating an apricot 'the color of shame and dawn,' or to 'the omnipotence of light,' or to grief when 'All the greens of summer have blown apart,' her linking of unique images, her energetic wit and whimsy, her compassionate investment in life, always bring new pleasures and perceptions to the reader.

In poetry I can let the language go, allow an image that seems out of place to enter and see what happens, always listening to the music that's being created, just like the world around us, never predictable, always shifting and intertwining, reflecting and echoing itself.

Ordering is very important with essays, even if a reader doesn't read the essays or the poems in order through the book...

I'm all in favor of poets telling about the process as much as they can. And many do.

The poem is a process, a way for me to discover questions, to ask them clearly or to discover the results of certain suppositions. Suppositions are a form of questioning.