I use things, I steal things from my life when I want to, when I need to, or when it seems appropriate. But most of the stuff in my novels is entirely invented, ninety-five percent. And even when I do borrow something, it becomes fictionalized.

The ideal reader's the same, and I suppose this person has never had a face or a gender or an age. It's just some kind of unknown other who will be sympathetic and read each word carefully and understand what I'm writing about. I suppose every writer feels this.

I'm generous. I give good tips. It's just - the way I live my life, ironically enough, is: I don't want anything. I'm not a consumer. I don't crave objects.

All children are love children, he said, but only the best ones are ever called that.

In my books, there are a lot of people stuck in rooms. Or, conversely, out in the wide open. It seems that, in a funny way, when people are cooped up in rooms they are freer than when they are wandering about in the world.

Farts come from no one and nowhere; they are anonymous emanations that belong to the group as a whole, and even when every person in the room can point to the culprit, the only sane course of action is denial.

For one reason or another, I became a passionate reader when I was very little. As soon as I could read, I wanted to read.