When I start, I have a feeling for the characters, and maybe the shape of the story. Sometimes I might even have the last sentence in mind. But, no book I've ever written has ever ended the way I thought it would. Characters disappear, others come forward. Once you start writing, everything changes.

I was always interested in French poetry sort of as a sideline to my own work, I was translating contemporary French poets. That kind of spilled out into translation as a way to earn money, pay for food and put bread on the table.

Existence was bigger than just life. It was everyone's life all together, and even if you lived in Buffalo, New York and had never been more than ten miles from home, you were part of the puzzle, too. It didn't matter how small your life was.

All I wanted to do was write - at the time, poems, and prose, too. I guess my ambition was simply to make money however I could to keep myself going in some modest way, and I didn't need much, I was unmarried at the time, no children.

There are often references to childhood, but they're rarely the focus of the [my] novels.

Autobiographical writings, essays, interviews, various other things... All the non-fiction prose I wanted to keep, that was the idea behind this collected volume, which came out about few years ago. I didn't think of Winter Journal, for example, as an autobiography, or a memoir. What it is is a literary work, composed of autobiographical fragments, but trying to attain, I hope, the effect of music.

I feel I'm discovering something new, a different rhythm, and I guess these rhythms have a lot to do with walking, too, but it's a longer trajectory now. I'm traveling greater distances with each sentence. But I don't write about walking that much anymore.