I perceive everything to be constantly subjective and strange. My version of truth in what I express, it feels like that opaque quality that you're talking about. It's just me being legitimate.

It's not like changing one word with my lyrics is going to make them more intelligible or relatable. I was always very misunderstood and taken as very pretentious and serious all the time. I would think, "Do you not see there's a lot of tongue-in-cheek and humor here?"

...It's an unmeetable level of writing. But even if it's something I feel like I can't ever attain, it doesn't crush my spirit. I figured out early on that you gotta find your own strengths and hone them rather than trying to emulate something that impresses you.

I got the chess bug when I was finishing high school, we were doing chess tournaments at my house. I never got to a very high level.

I had this perverse gravitation towards using a terrible cliché sandwiched in between absurd non-clichés because I thought it gave the cliché a new resonance. It kills me when my lyrics are misquoted, but as long as people are quoting them right, I don't care what anybody has to say about them.

I don't really get a lot of clarity in my everyday life and my interactions with people. Most things that happen to me aren't very straightforward. They're either vastly confusing, or I realize that I'm inventing whatever meaning I'm deriving from whatever happens and it's filtering through my own indulgent perspective.

Basically, every band that makes it has some dude with some sense of business. I don't know if our band would've been so successful were it not for Daniel's [Kessler] insight into how things really work. Daniel was the one who was diligently saying, "We should make a demo, send it out, play shows but not too many shows, get on shows with touring bands that are coming to New York."