The idea of starting a band because of Nirvana and thereby trying to sound like Nirvana is totally not the case.

Basically, every band that makes it has some dude with some sense of business. I don't know if our band would've been so successful were it not for Daniel's [Kessler] insight into how things really work. Daniel was the one who was diligently saying, "We should make a demo, send it out, play shows but not too many shows, get on shows with touring bands that are coming to New York."

That's for non-musicians to say: "I only listen to this or that type of music." I think musicians love all music, or at least that's my case.

It's not like changing one word with my lyrics is going to make them more intelligible or relatable. I was always very misunderstood and taken as very pretentious and serious all the time. I would think, "Do you not see there's a lot of tongue-in-cheek and humor here?"

My influences are vast and varied. I was into classic rock at the same time that I was into hip-hop. It was just that hip-hop was the first music that I got really really into. Rock was right on its tail.

When I say I had a cosmic confidence that we were capable of writing good music, I'm speaking about that time when we met Sam [Fogarino]. Greg [ex-drummer] is actually a really great drummer and a great guy. I never want to sound like I am belittling his contributions in the early days, but when Sam joined, there was an immediacy of, like, "Here we go."

I would have issues with directions songs were taking, but I never heard one of Carlos' [Dangler] basslines and said, "I don't like that, do something else." The same goes for the beat and the guitars. I think that's why we were able to make four albums together.