Why are the mainstream buzz things rarely contemporary? It doesn't happen very often. It's hard to feel culpable or implicated or even apathetic.

In White Boy Shuffle, I combined my seventh-grade teacher, Mr. Takemoto, who really saved me - I don't think I've ever told anyone this - and my first basketball coach, Mr. Shimizu, into one character. Something about the way they talked about things, and their attitudes, had a huge impact on me. Not that I necessarily agreed with them. It was important to me to just put them there to stay grounded.

I've written a little bit in Germany.

Like when you have the right title for something you're writing and you get lost - you can always go back to the title and go, "Yeah, that's what this is about."

I'm not searching for the truth.That's too much pressure .

The thing is that it's always a constant reminder of how violent this country has been, always has been, you know. I'm still frustrated with these conversations: [Barack] Obama is black so that means this, that things are better, or it means that you voted for him because he's black.

It makes me think about how you hear these young people say, "I see you, man." Or even if you go and watch some basketball game over the summer and the announcer goes, "I see you," and you see that player smile. You know what I mean? That thing of just being recognized, especially when you do a little subtle thing. I don't know.