The only thing I think I can be accused of about paparazzi is being really naive. I didnt think about it coming along with the job and I never, during my three years at drama school, fantasized about one bit of it.

I realized that this story [Shelter] is all about family, family loss, and how it influences you day to day life.

I learned so much about myself from reading this script and doing this movie [Shelter] because the level of judgment and the lack of humanity I saw in myself was disgusting. I never took into account what a homeless person might have been through.

You'll still work with some directors where that doesn't happen, and sometimes it's out of necessity because you're in a really complicated, choreographed fight scene and the whole thing is being prevised in a computer, so it's been decided months before, but I think that's sneaking into the way action scenes are shot.

Doing the big budget films really makes you appreciate doing movies like Shelter. It's because this is like doing theater, you just have to hit the ground running

My experience of people is that they are infinitely forgivable.

I'm sure some people have an absolute grasp of where they are in their careers. I just don't think about it that much.