But I feel truly wowed by the architecture and the meaning of the architecture if you get lost in it and think about the man hours in the smallest little chapel, and the love involved. God its fantastic.

I was brought up Catholic. I'm lapsed. From the age of three I was with the nuns. Now I'm an atheist. I think religion does a lot for us but I can't quite believe it, alas... It's just a personal choice. I love the idea of heaven though. Who doesn't? It's lovely.

In a world of increasing grey areas, we are becoming more and more entrenched in black and white positions.

An actor has so much less space and responsibility. Sometimes you come on, and there are already tape marks for where you are supposed to stand, and the dialogue is already decided on. If you want to make a change and contribute something, it has to be approved by a number of people.

The only way one can guarantee one's loyalty is love. Loyalty is beyond logic, really.

I don't want to infantilize the actor; I want to empower the actor. Actors can be many things, but all of the really good ones are really great storytellers, and I'm interested in that. If you're not interested in that as a director then you better be Stanley Kurbrick.

An agent friend of mine who will remain nameless said you can't make a romance about homeless people; nobody wants to see them kiss. And I thought, what a repulsive, repugnant, extraordinary thing to say. I had to think about the fact that the world is probably full of other people who feel like that. The very idea that we spend time trying to humanize humans is extraordinary to me.