I do feel that scripts get developed now to a point where they're sort of actor-proof. If the actor is not very good, the narrative still survives because it's all in the dialogue. Not to say there aren't great performances in English-language films, because there are every year, but the 1970s were awash with great performances, and I was wondering whether it had to do with the amount of space and the amount of responsibility given to the actors.

For some ungodly reason, I end up being naked in a lot of stuff. But there is a certain grace and kudos that come with taking your clothes off on the first day, a respect that is given by the rest of the cast.

You'll still work with some directors where that doesn't happen, and sometimes it's out of necessity because you're in a really complicated, choreographed fight scene and the whole thing is being prevised in a computer, so it's been decided months before, but I think that's sneaking into the way action scenes are shot.

Logic doesn't really provide for loyalty. If your logic changes suddenly and things not make sense, you can alter your allegiance, but love stops you from being able to do that.

Up until like five seconds ago, I just took what jobs came along.

I find that our response to homelessness really puzzlingly. It's a peculiar response that people have.

The only way one can guarantee one's loyalty is love. Loyalty is beyond logic, really.