Optics, developing in us through study, teach us to see.
There is no light painting or dark painting, but simply relations of tones.
For an Impressionist to paint from nature is not to paint the subject, but to realize sensations.
I am more a friend of art than a producer of painting.
When the color achieves richness, the form attains its fullness also.
It is necessary to introduce light vibrations, represented by reds and yellows, and a sufficient amount of blues, to obtain an airy feeling.