Fellini was [David] Lynch's master and his biggest idol, and he believed in Fellini's view that film is a dream, it's not reality. It's all about delving into the unconscious.

The patient needs to believe that they can keep the fire while being medicated. The doctors must tell them, "I understand that you experienced something beautiful. I understand that you saw the stars pulsing spirals of fire across the sky like Van Gogh did when he was looking outside the sanitarium window. But you know what? He didn't paint ['Starry Night'] when he was manic. He painted it when he was sane because he didn't need the mania to have the magic."

If people are saying that somehow their connection is going to be detrimental to their health, of course they are going to reject that idea, because that's the power of falling like that.

Emotions are what drives everyone. You get up in the morning and go do something because the emotion drives you to it.

When you encounter that first love, a young love, you do feel that your story is original. You are utterly convinced that your story has never been told before, because it hasn't.

Vincent van Gogh was sane when he painted that piece of art, because when you you feel the mania and depression, you have all the heaven and hell your heart has ever experienced that you can tap into, to be able to create something that can last several lifetimes.

Fellini was [David] Lynch's master and his biggest idol, and he believed in Fellini's view that film is a dream, it's not reality. It's all about delving into the unconscious.