I try to leave my work at the door when I leave the set. It's almost like summer camp. You go in hard, then you leave, and it's done.

I would say that the emotional content of the film [Swiss Army Man] took me by surprise, and sometimes I would probably want to capture the unique tone of it.

Reading the script [Insane Farting Corpse], by page two or three, I felt that way. I thought, I'm in. It was so beautiful and insane and funny and I wanted to see it happen.

On set, the playground for the character, how much it takes varies. Is it like ballet, is it like jazz? The content always lends itself to the form, and it's really not mathematics.

You try to get to know your character as best as you can before you start filming - whats written and not written.

In tragedy, it's hard to find a good resolution; it's not black and white: it's a big fog of gray.

I dont normally like getting dressed up, but when I go to events, I like to look put together. Ive got to say, getting in a nice suit feels good.