I try to leave my work at the door when I leave the set. It's almost like summer camp. You go in hard, then you leave, and it's done.

I went to tranny bars and kind of got used to being around that and then getting dressed up.

As your career progresses, you hope that you get some more opportunity, or some more choice.

My first thought about acting, growing up here in New York, was theater, and I feel like I need to force myself to go get my ass kicked in a rehearsal room and do one of those plays at some point.

If you could call me buff, my version of buff was when I finished that film [Swiss Army Man].

On set, the playground for the character, how much it takes varies. Is it like ballet, is it like jazz? The content always lends itself to the form, and it's really not mathematics.

In tragedy, it's hard to find a good resolution; it's not black and white: it's a big fog of gray.