I try to leave my work at the door when I leave the set. It's almost like summer camp. You go in hard, then you leave, and it's done.

I know that part of why I was excited to do this was the sense of play and childlike wonder and the spirit that's in the Daniels' work. I think we're tracking some issues that are actually quite sad or lonely but I think in a joyful, creative way. So I like that balance. I think singing in the woods, the music and spirit of that - there's something very pure about the film [Swiss Army Man].

Being actors is a strange job. To try to go live that out, it's a very strange thing to want to do when you step back and think about it.

I would say that the emotional content of the film [Swiss Army Man] took me by surprise, and sometimes I would probably want to capture the unique tone of it.

I like purple too. I looked up color psychology before doing any house painting, because I was curious what the colors I like mean. And purple is very royal and creative.

I think carrying your gut, or your instincts, through all the learning, is one of the most important things. You learn to prepare for a part in different ways, you learn to experiment, what you do for the character - you try working in different ways.

I started acting pretty young, so I haven't had too many odd jobs. But I used to sell candy out of my locker in middle school.