[Swiss Armi Man] was a super joyful film to go make. I mean, there was stuff that was, like, totally bananas. But it was kind of par for the course every day with that stuff.

I feel like a lot of the films I do, part of the reason I like doing them is I'm not 100 percent sure what it's going to be. It's exciting. I read an equal amount of very generic scripts, and you kind of know exactly what those are and that doesn't whet my appetite. I already know what it is or I already know what the character is. It's just a lot harder to get interested.

My first thought about acting, growing up here in New York, was theater, and I feel like I need to force myself to go get my ass kicked in a rehearsal room and do one of those plays at some point.

This is so lame to say in a magazine, but I just grabbed some pink wallpaper. I find it to be a very relaxing color.

I would say that the emotional content of the film [Swiss Army Man] took me by surprise, and sometimes I would probably want to capture the unique tone of it.

If you could call me buff, my version of buff was when I finished that film [Swiss Army Man].

Reading the script [Insane Farting Corpse], by page two or three, I felt that way. I thought, I'm in. It was so beautiful and insane and funny and I wanted to see it happen.