I think it was a lot of trust as well [between me and Daniel Radcliffe]. If we didn't have that, it could be a very painful film [ Swiss Army Man] to go make.

I try to leave my work at the door when I leave the set. It's almost like summer camp. You go in hard, then you leave, and it's done.

When somebody mentions that I did a play with George C. Scott, I'm like, it can't have happened. What was I doing on a Broadway stage at 11 years old? It's so far in the distance now.

Everything you do, every experience that you have, enlightens you a little bit or worsens you.

In tragedy, it's hard to find a good resolution; it's not black and white: it's a big fog of gray.

For me, playing a really bad character is about figuring out what brought the person to where we need him.

You try to get to know your character as best as you can before you start filming - whats written and not written.