I think it was a lot of trust as well [between me and Daniel Radcliffe]. If we didn't have that, it could be a very painful film [ Swiss Army Man] to go make.

On set, the playground for the character, how much it takes varies. Is it like ballet, is it like jazz? The content always lends itself to the form, and it's really not mathematics.

I regretted not being a person in shape many a day while we were making this film [Swiss Army Man].

Reading the script [Insane Farting Corpse], by page two or three, I felt that way. I thought, I'm in. It was so beautiful and insane and funny and I wanted to see it happen.

I love that it's such an uncynical film [Swiss Army Man]. I think it's got a lot of love in there, and I think that's a nice thing in this day and age.

Being actors is a strange job. To try to go live that out, it's a very strange thing to want to do when you step back and think about it.

I think carrying your gut, or your instincts, through all the learning, is one of the most important things. You learn to prepare for a part in different ways, you learn to experiment, what you do for the character - you try working in different ways.