I think I had it in the back of my mind that I wanted to sound like a dry martini.

I would like to thank my father who discouraged me from playing the violin at an early age.

Milton, of all people, gave the most perfect definition of the state of mind required to play jazz: ' with wanton heed and giddy cunning.' That's how you play jazz.

I was unfashionable before anyone knew who I was.

I'm glad [Ornette Coleman] is such an individualist. I like the firmness of thought and purpose that goes into what he's doing, even though I don't always like to listen to it. It's like living in a house where everything's painted red.

We used to get on planes, and they'd ask who we were, and we'd say, 'The Dave Brubeck Quartet', and they'd say, 'Who?' In later years they'd say, 'Oh', which amounts to the same thing.

Complexity can be a trap. You can have a ball developing a phrase, inverting it, playing it in different keys and times and all. But it's really more introspective than communicative. Like a crossword puzzle compared to a poem.