I didn't want to have to call a cab if I went to the supermarket. So I eventually got a bike, just a beach cruiser, and I rode that thing all over town. I rode it everywhere. I rode it in the rain, I rode it as much as I possibly could. Anytime I could afford the independence of the bike, I used the bike.

I haven't seen comedy as popular as it is now since when I started, in the late 1980s boom. It feels like that again, in that it's everywhere, and it's great to see.

When I was 16, I took the written driving test, just like everybody else did, and I passed it. Then the first time I was behind the wheel of a car, when I was a kid, it kind of freaked me out. I've always been a very anxious student of anything, and so not being able to process things quickly enough, feeling overwhelmed, I just got freaked out and so I just never tried again.

I like working in television a lot. It's nice to have a place to go every day and a group of people to hang out with and work alongside with a common goal. But I think I'll always love stand-up more, because there's so much to discover. But you cannot beat television money with a stick. Not with a stick.

The thing I have to keep in mind and I try to keep in mind about myself, about anyone, is you do the best you can do at the time.

I was going to say it's pretty bad these days, but I actually think it's pretty much the same as it's always been: There are a few really great shows on, and a bunch of garbage. That's the nature of the beast. It's always going to be that way as long as the networks try to second-guess what the American public will like. I wish that they'd just put on what they think is good rather than what they think people will sit through. I bet they'd have the same success rate, but at least the shows that survived would be better.

In the clubs, the entertainment and the restaurant business are at war with each other. You get crowds that are not the greatest, and it becomes like a babysitting job, rather than doing what you want to do. I have a more deliberate pacing in my act, and having a half interested audience is death. They have to hear what I'm saying for it to pay off.