The difference when I'm writing a story versus writing a joke is that writing a joke is so much more about the structure and it's less about the conversation. To me, the thing that I love about stand-up is the intimacy between performer and audience.To get it even more conversational was something that really appealed to me and that I really enjoyed doing. My early experiments with it, with just telling a story from my life on stage, it was so satisfying to do. And seemingly for the audience as well. It's a different thing, and it's a different feeling and a different vibe.
Paul F. TompkinsI love a small dinner party - let's say six people, max, were everybody's having the same conversation. That's my favorite thing in the world.
Paul F. TompkinsI came from a big family, with not enough attention. It's classic. I wasn't the baby, but was second to last. It's absolutely the same story that most people have in this [film] business, they're the middle children. I've encountered some people, and it's weird to me, that they were the youngest in their family. I don't understand how that works, they got the attention.
Paul F. TompkinsWhen I was younger I was strictly meat-and-potatoes and I just wouldn't try things. As I have gotten older, I'm much more adventurous but still not like whoever that dude is on whatever show it is who just goes around and eats bugs everywhere.
Paul F. TompkinsThere's something strange about comedy requests. I guess if you enjoy something, why not hear it again? But there's something weird about it being live, when the person is there, and asking them, "Hey, do this thing like you did it, but make it seem like you're making it up on the spot.".
Paul F. TompkinsI loved the bike because it gave me some measure of independence that I did not have.
Paul F. TompkinsI love bad comedy more than I love good comedy, so I love open mics. Or I used to. But the thing that delights me more than anything else in an open-mic performer is when the comic has one joke that requires some kind of prop. But only one. The prop is always produced very awkwardly, and it never, ever pays off. The resulting embarrassment is savory and delicious.
Paul F. Tompkins