Katie Dippold, who I wrote the script with, she's very into ghosts and all that. So I go, "Hey, why don't you talk to Katie?"

Throughout my teens, I just wanted to go somewhere I could wear a Donald Duck pin and no one would care.

I've never been to a class reunion or anything because I'm always afraid of that one - there's going to be some 'Carrie'-like incident.

Scripts are a house of cards and you can't just reach in the middle and pull out the middle card because the house of cards will fall down. But at a certain point you almost have to allow that house of cards to get knocked down a few times because you need to make it sturdier. How many times do you hear, "No, that doesn't make sense," or "Why would this happen?" That was a mistake. You shouldn't have those moments, because the moment you're knocked out of the story, then you're dead. And all you can go is moment to moment,or joke to joke. And that's gonna wear people out.

If you made a movie that no man in the world went near, but every woman in the world went to, you'd have the highest grossing movie of all time. You'd make trillions of dollars. But I don't want to make movies that are just for the ladies. I don't want to ghettoize any audience that way.

You just have to be classy at the end of the day. That doesn't mean you can't go with a midnight blue tux. And if you can find a deep red tux that looks classy and classic, I think you can pull it off.

I have an inability to enjoy things, but that's why we're in comedy. If we were happy, we wouldn't be funny, I guess.