Film, television, and working with a camera is such an intimate art form that if a camera is right on you, and I've got your face filling the screen, you have to be real. If you do anything that is fake, you're not going to get away with it, because the camera is right there, and the story is being told in a very real way.

Wearing a tuxedo isn't as simple as it sounds. I've been to a lot of award shows in Hollywood over the years and have seen some pretty sad tuxes. It's surprisingly easy to go off the rails.

I hate that we're always called "the all-female Ghostbusters," because you wouldn't refer to the original as "the all-male Ghostbusters."

I'm the biggest proponent of test screenings now. There's two ways to face test screenings. For dramas, I don't know if I would rely on them as much, although I still think you need them, because you're making a movie for an audience at the end of the day. But with comedy... You could go through a script or anything I ever worked on, where you go, "This is hilarious," and you put it in front of people and you get nothing. And then the other side of it, is something you're like, "I think this is really stupid," and it gets a giant laugh.

In a perfect world, I'd love to make 90-minute movies, but for me, a movie needs to be as long or short as it can sustain itself.

I try not to blame the public, because the public - men, especially - have seen not great portrayals of women in supporting roles, because they're not given the lead roles a lot of the time. Especially in comedy, they're relegated to the adversary, which is like "the mean girlfriend."

To me, there's nothing funnier than funny people in peril, because it's just a great springboard for people to be at a heightened emotionality and things get funnier.