The face of totalitarianism turned out to be a mask - obviously - but the face of Capitalism has no face at all.

Considering the amount of work I put into each piece, the amount I need to make from it is pretty high. I won't sell for less... but that means I rarely sell.

I love a good laugh as well, I think that's so important in life, which is probably why I've dabbled in comedy writing as well as horror. I think if you can make someone laugh or smile it's the most special thing in the world.

I'm fortunate in that I'm a lecturer too and this gets me out and about and away from the computer. I also have loads of friends all around the world, plus a core group of special people in my life that I can lean on, chat to, or just hang with.

The joy of painting lies precisely in the challenge of memory and the challenge of translation from the lived experience to the two-dimensional or three-dimensional symbol.

This sort of encouragement is vital for any writer. And lastly the publication of Touching the Flame, which was on hold for two years and went through a few publishers before finding a stable home.

It's not just that toil allows the appearance of spontaneity. It allows the actuality of spontaneity.