My father knew all about this stuff [C.W. Leadbeater]. I owe a lot of what I'm doing, I think, to him. I'm sort of continuing my father's work.
Paul LaffoleyWhen I was in New York working for [Frederick] Kiesler, at night I listened to Jean Shephard who lasted from 1957 until 1976 and then went off the air. But also I was listening to Long John Nebel. Now, Long John was what Art Bell and George Noory do now.
Paul LaffoleyIt was on Long John's show that I heard Orfeo Angelucci being interviewed. In other words, the whole thing about the green globes on the top of a car bumper and the voice coming out, you know, and then this beautiful lady.... So he went through the whole number, what you read in his book, that kind of stuff. A whole raft of things.
Paul LaffoleyI think [Nikola Tesla] was always like that. And so it was inevitable that he would be an inventor. Because it was so easy for him to think fourth-dimensionally, dynamically. It wasn't just a static thing with him. In other words, it isn't the way an architect thinks, which is essentially static.
Paul Laffoley[H.P.Lovecraft] is thrust into some kind of outer space realm, like here [pointing toward the painting in progress]. In other words, he's recognized he's gone through R'lyeh, the Sunken City of R'lyeh, and then Cthulhu, the extraterrestrial, calls his band of worshippers home to recognize him as the anti-christ. This is all in The Necronomicon, something Lovecraft actually did make up.
Paul Laffoley