It was on Long John's show that I heard Orfeo Angelucci being interviewed. In other words, the whole thing about the green globes on the top of a car bumper and the voice coming out, you know, and then this beautiful lady.... So he went through the whole number, what you read in his book, that kind of stuff. A whole raft of things.
Paul Laffoley[Nikola Tesla] would do it through lucid dreaming. He would, in a sense, dream up the engine, forget about it, come back, and then discover where it was wearing. You know, where the parts were wearing out. Now, that's inner visualization and a half! And that was the secret of why he did so many inventions.
Paul LaffoleyIn other words, you've got a journey as the plot, but it has to be in a lively environment, being able to create the mood. If you read "Pickman's Model," in other words, they're winding their way through the Boston Streets and [H.P.] Lovecraft researched what was there.
Paul LaffoleyWe would go on retreats to Florence. The people in the planning team got to be good friends and so we did things like, we'd all go over to the Fort Belvedere in Florence and take that thing over. Because it's up for grabs, you can rent it. And then have New Age meetings and all that kind of stuff. [Buckminster] Fuller loved to go there.
Paul LaffoleyI mean, these are really dedicated people [in Lovecraft Society] when it comes to [h.P.] Lovecraft. But in the top floor of the John Hay Library, you have all of Lovecraft's archives. And messing around in there, I noticed, I said, what are these paintings? And the librarian told me, "Well, those are Pickman's paintings." I said, "I thought this was like something he made up, like The Necronomicon, that kind of stuff." And he said no, that the guy actually existed.
Paul Laffoley