At one time in the mid-'70s I became the president of the Boston-Cambridge chapter of the World Future Society. Because I'd been in my studio by myself since 1968 on up. And the thing is that my social life consisted of being involved in organizations like that. I would get people to come and speak, and speak myself and that kind of stuff.

The Mobius strip is only an analog for the reality of what it is.

I did do, well before Pop Art, all the cartoon characters as paintings.

[Buckminster Fuller] would pretend to be deaf at the right times.

In other words, you've got a journey as the plot, but it has to be in a lively environment, being able to create the mood. If you read "Pickman's Model," in other words, they're winding their way through the Boston Streets and [H.P.] Lovecraft researched what was there.

I think [Theosophical and Masonic books] wasn't that I was inspired so much. I was corroborated by them.

I think [H. P. Lovecraft] knew the whole gamut. He just didn't believe any of it! He probably liked to use the esoteric stuff because he knew it would tick people off and freak them out.