We've become to living with absurdity, and that to make people to see how much so, I had to ratchet up the insanity.

I like working in series, so instead of just doing one separate body of work, what if I come up with a different rhythm, instead of every week, what if I make it every year? And so I'm still setting up a series, a repetition, but it's a completely different work flow.

Our job is to translate the lies, deceit, and anxiety that poisons our cultural water supply into an understandable form that we can digest.

In hard times, beauty can seem frivolous - but take it away, and all you're left with is hard times.

On to the Next Dream became about much more than me facing a challenging situation; it became about how all of us feel when we're thrust unexpectedly into change. It's about how we all hold onto personalized visions of our lives, our city, and our culture, and what we do when reality forces us to confront the impermanence of those visions.

I like making series, for a couple reasons. One, the repetition of routine is very healthy because I can get a little crazy; I want to be making things all the time. And if I publish something every week, I don't have to put every idea I have into one piece. It's more like, here's one idea: execute it, see it through, think about it, do it the best you can. And then there are going to be ten more ideas that come while you're making that, because creativity works that way.

We've become to living with absurdity, and that to make people to see how much so, I had to ratchet up the insanity.