This is the first time I've ever played the Grammys. I finally passed the audition.

When I see bacon, I see a pig, I see a little friend, and that's why I can't eat it. Simple as that.

I think it's something to do with the structural quality of the songs. We weren't actually trying to make stuff that was cool, or of the moment, although a lot of it was. We were trying to make stuff that was good enough to stick around and lo and behold, it has.

I am quite happy that the Beatles came and went. There is even a sort of glory in not having it go on forever. There is a complete body of work that went from A to Z and it is all pretty damn good stuff. The one thing I am particularly proud of is that nearly every single bit of it has some good message. I feel fortunate when I look back. Life is not easy, but I've been very lucky - and I'm touching wood as I say that.

The most important ingredient to making a song work is the magic. You've got a melody, you've got words, but on the more successful songs, there's a sort of magic glow that just happens and you can feel it happening. It just makes the songs sort of roll out.

When we were kids we always used to say, ‘Okay, whoever dies first, get a message through.’ When John died, I thought, ‘Well, maybe we’ll get a message,’ because I know he knew the deal. I haven’t had a message from John.

Going to do it to you sweet banana, like it's never been done, and we'll get high, high, high, in the mid-day sun.