There's different ways of presenting a pop group to the world. It doesn't have to be the same old poses.

I'm not denying that in the world there's been some tremendous musical happenings, like DJ Shadow or whatever, that kind of thing. But when it goes into the weird thing where you get a remix done by a certain person because they need a brand name, that's when it becomes really discouraging.

Pop music can somehow survive being inhibited and mangled by its harsh and stupid commercial chains, and there is surely irreducible potential because of the 'star system' and the volatile attention pop receives for multiples of wickedness, ridicule, discontent, eccentricity, desire to thrive importantly in a genuinely popular context.

Essentially the soul of the planet is being controlled by corporations.

The remix culture became very much controlled by the corporate world, it's a marketing tool mostly, to create mixes for different genres. So it's very soul-less in a way.

There's different ways of presenting a pop group to the world. It doesn't have to be the same old poses.

Pop music can play a large part in the way numerous young people determine their right to desire and their need to question.