If Ansel Adams gets a thousand dollars a print, I want ten thousand.

Your photography is a record of your living, for anyone who really sees.

I think of myself as an explorer who has spent his life on a long voyage of discovery.

The decision as to when to photograph, the actual click of the shutter, is partly controlled from the outside, by the flow of life, but it also comes from the mind and the heart of the artist. The photograph is his vision of the world and expresses, however subtly, his values and convictions.

Your photography is a record of your living - for anyone who really sees. You may see and be affected by other people's ways, you may even use them to find your own, but you will have eventually to free yourself of them. That is what Nietzche meant when he said, 'I have just read Schopenhauer, now I have to get rid of him.' He knew how insidious other people's ways could be, particularly those which have the forcefulness of profound experience, if you let them get between you and your own personal vision.

It has always been my belief that the true artist, like the true scientist, is a researcher using materials and techniques to dig into the truth and meaning of the world in which he himself lives; and what he creates, or better perhaps, brings back, are the objective results of his explorations. The measure of his talent--of his genius, if you will--is the richness he finds in such a life's voyage of discovery and the effectiveness with which he is able to embody it through his chosen medium.

The photographer's problem is to see clearly the limitations and at the same time the potential qualities of his medium, for it is precisely here that honesty no less than intensity of vision is the pre-requisite of a living expression. The fullest realization of this is accomplished without tricks of process or manipulation, through the use of straight photographic methods.