I really subscribe to that old adage that you should never let the audience get ahead of you for a second. So if the film's abrasive and wrongfoots people then, y'know, that's great. But I hope it involves an audience.

You write who you are. But you also cheat, and youwrite what you want to be. It's embarrasing to be the guy who madethe movie, knowing you're not exactly who you want to be.

So with 'There Will Be Blood,' I didn't even really feel like I was adapting a book. I was just desperate to find stuff to write.

Of course, I'm no dummy.

I have a feeling, one of those gut feelings, that I'll make pretty good movies the rest of my life.

But I'd be lying if I didn't say that every time you go to make a film, you're desperate to either do it better than you did it last time or to not repeat yourself.

You have to be a brat in order to carve out your parameters, and you have to be a monster to anyone who gets in your way. But sometimes it's difficult to know when that's necessary and when you're just being a baby, throwing your rattle from the cage.