London, black as crows and noisy as ducks, prudish with all the vices in evidence, everlastingly drunk, in spite of ridiculous laws about drunkenness, immense, though it is really basically only a collection of scandal-mongering boroughs, vying with each other, ugly and dull, without any monuments except interminable docks.

The rosy hearth, the lamplight's narrow beam, The meditation that is rather dream, With looks that lose themselves in cherished looks; The hour of steaming tea and banished books; The sweetness of the evening at an end, The dear fatigue, and right to rest attained, And worshipped expectation of the night,— Oh, all these things, in unrelenting flight, My dream pursues through all the vain delays, Impatient of the weeks, mad at the days!

Prends l'e loquence et tords-lui son cou! Take eloquence and break its neck!

London, black as crows and noisy as ducks, prudish with all the vices in evidence, everlastingly drunk, in spite of ridiculous laws about drunkenness, immense, though it is really basically only a collection of scandal-mongering boroughs, vying with each other, ugly and dull, without any monuments except interminable docks.

I am the Empire at the end of the decadence.

I like this word decadent; all shimmering and purple and gold.

A poem is really a kind of machine for producing the poetic state by means of words.