Art is drama. Any relationship to art is also a relationship to death.

Hence not only the crisis of geopolitics and geostrategy but also the shift towards the emergence and dominance of chronostrategy.

Art used to be painting, sculpture, music, etc, but now, all technology has become art. Of course, this form of art is still very primitive, but it is slowly replacing reality.

Moreover, I would like to say that the sort of polar inertia we witnessed in the Kosovo War, the polar inertia involving 'automated war' and 'war-at-a-distance' is also terribly weak in the face of terrorism. For instance, in such situations, any individual who decides to place or throw a bomb can simply walk away. He or she has the freedom to move. This also applies to militant political groups and their actions.

From the original watchtower through the anchored balloon to the reconnaissance aircraft and remote sensing-satellites, one and the same function has been indefinitely repeated, the eye's function being the function of a weapon.

What happened in Kosovo was the exact reversal of what happened in 'Fortress Europe' in 1943-45. Let me explain. Air Marshall 'Bomber' Harris used to say that 'Fortress Europe' was a fortress without a roof, since the Allies had air supremacy. Now, if we look at the Kosovo War, what do we see? We see a fortress without walls  but with a roof! Isn't that disappearance extraordinary?!

War was my university. Everything has proceeded from there.