I have always been interested in the architecture of war, as can be seen in Bunker Archeology. However, at the time that I did the research for that book, I was very young. My aim was to understand the notion of 'Total War'.

Because Man is God, and God is Man, the world is nothing but the world of Man - or Woman.

Already, viral contamination offers an initial response to the question of the downside of electronic circuits, but another area of research beckons the area of ecological pollution. The pollution not only of air, water, and other substances, but also the unperceived pollution of distances.

The development and deployment of drones and Cruise missiles involves the continuing development of the vision machine. Research on Cruise missiles is intrinsically linked to the development of vision machines. The aim, of course, is not only to give vision to a machine but, as in the case of the Cruise missiles that were aimed at Leningrad and Moscow, also to enable a machine to deploy radar readings and pre-programmed maps as it follows its course towards its target.

You cannot dissociate birth from death, creation from destruction, good from evil. Thus any art is a form of drama standing between the two extreme poles of birth and death, just like life is drama. This is not sad, because to be alive means to be mortal, to pass through.

In a way, technologies have negated the transcendental God in order to invent the machine-God. However, these two gods raise similar questions.

The field of vision is comparable, for me, to the terrain of an archaeological dig. To see is to be on guard, to wait for what emerges from the background, without any name, without any particular interest: what was silent will speak, what is closed will open and will take on a voice.