If you look at the Gulf War or new military technologies, they are moving towards cyberwars. Most video-technologies and technologies of simulation have been used for war. For example, video was created after the Second World War in order to radio-control planes and aircraft carriers. Thus video came with the war. It took twenty years before it became a means of expression for artists.

Moreover, I would like to say that the sort of polar inertia we witnessed in the Kosovo War, the polar inertia involving 'automated war' and 'war-at-a-distance' is also terribly weak in the face of terrorism. For instance, in such situations, any individual who decides to place or throw a bomb can simply walk away. He or she has the freedom to move. This also applies to militant political groups and their actions.

Television is a media of crisis, which means that television is a media of accidents.

Images contaminate us like viruses.

To me, dance is an extraordinary thing, more extraordinary than most people usually think. Dance preceded writing, speaking and music. When mute people speak their body language, it is true speaking rather than handicap, this is the first word and the first writing. Thus to me, the body is fundamental.

To someone like Zurbaran, who paints still lifes, lemons and pears are the objects of art. But to the electronics engineer who works on the technologies of virtual reality, the whole reality has become the object of art, with a possibility to substitute the virtual with the real.

As I said back in 1984, the idea of logistics is not only about oil, about ammunitions and supplies but also about images.