For the strategies of deception are concerned with deceiving an opponent through the logistics of perception. But these strategies are not merely aimed at the Serbs or the Iraqis but also at all those who might support [Slobodan] Milosevic or Saddam Hussein.

Art is alive because it is mortal.

I don't believe in simulationism, I believe that the word is already old-fashioned. As I see it, new technologies are substituting a virtual reality for an actual reality. And this is more than a phase: it's a definite change.

Moreover, I would like to say that the sort of polar inertia we witnessed in the Kosovo War, the polar inertia involving 'automated war' and 'war-at-a-distance' is also terribly weak in the face of terrorism. For instance, in such situations, any individual who decides to place or throw a bomb can simply walk away. He or she has the freedom to move. This also applies to militant political groups and their actions.

Look at the Intifadah in Jerusalem. One cannot understand that phenomenon, a phenomenon where people, often very young boys, are successfully harassing one of the best armies in the world, without appreciating their freedom to move!

Indeed, the truth, the reality of the Kosovo War, was actually hidden behind all the 'humanitarian' faces.

I believe that the military-industrial complex is more important than ever. This is because the war in Kosovo gave fresh impetus not to the military-industrial complex but to the military-scientific complex. You can see this in China.