If we turn to the war in Kosovo, what do we find? We find the manipulation of the audience's emotions by the mass media.

The speed of light does not merely transform the world. It becomes the world. Globalization is the speed of light.

To someone like Zurbaran, who paints still lifes, lemons and pears are the objects of art. But to the electronics engineer who works on the technologies of virtual reality, the whole reality has become the object of art, with a possibility to substitute the virtual with the real.

You cannot dissociate birth from death, creation from destruction, good from evil. Thus any art is a form of drama standing between the two extreme poles of birth and death, just like life is drama. This is not sad, because to be alive means to be mortal, to pass through.

Today, everything is about speed and real time. We are no longer concerned with real space.

A museum of accidents is needed. This museum already exists, it's television.

If we consider my latest book, Strategie de la deception, what we need to focus on are the other aspects of the same phenomenon.