If we turn to the war in Kosovo, what do we find? We find the manipulation of the audience's emotions by the mass media.

The development and deployment of drones and Cruise missiles involves the continuing development of the vision machine. Research on Cruise missiles is intrinsically linked to the development of vision machines. The aim, of course, is not only to give vision to a machine but, as in the case of the Cruise missiles that were aimed at Leningrad and Moscow, also to enable a machine to deploy radar readings and pre-programmed maps as it follows its course towards its target.

World War Two was a world war in space. It spread from Europe to Japan, to the Soviet Union, etc. World War Two was quite different from World War One which was geographically limited to Europe. But in the case of the Gulf War, we are dealing with a war which is extremely local in space, but global in time, since it is the first 'live' war.

The field of vision is comparable, for me, to the terrain of an archaeological dig. To see is to be on guard, to wait for what emerges from the background, without any name, without any particular interest: what was silent will speak, what is closed will open and will take on a voice.

Indeed, the truth, the reality of the Kosovo War, was actually hidden behind all the 'humanitarian' faces.

Cyberspace is acting like God and deals with the idea of God who is, sees and hears everything.

The technologies of virtual reality are attempting to make us see from beneath, from inside, from behind... as if we were God.