Troops must be fed with ammunition and so on but also with information, with images, with visual intelligence. Without these elements troops cannot perform their duties properly. This is what is meant by the logistics of perception.

All of us are already civilian soldiers, without knowing it...The great stroke of luck for the military class's terrorism is that no one recognizes it. People don't recognize the militarized part of their identity, of their consciousness.

The automation of warfare has, then, come a long way since the Persian Gulf War of 1991.

To a materialist, matter is essential: a stone is a stone, a mountain is a mountain, water is water and earth is earth. As far as I am concerned, I am a materialist of the body, which means that the body is the basis of all my work.

I believe that the military-industrial complex is more important than ever. This is because the war in Kosovo gave fresh impetus not to the military-industrial complex but to the military-scientific complex. You can see this in China.

To me, dance is an extraordinary thing, more extraordinary than most people usually think. Dance preceded writing, speaking and music. When mute people speak their body language, it is true speaking rather than handicap, this is the first word and the first writing. Thus to me, the body is fundamental.

You cannot dissociate birth from death, creation from destruction, good from evil. Thus any art is a form of drama standing between the two extreme poles of birth and death, just like life is drama. This is not sad, because to be alive means to be mortal, to pass through.